The other one wouldn’t know that it was one of us.Īline: I think you should just to see if it made it past your producer.Ĭraig: I think they will. John: Craig and I on an early episode we took a look at our first scripts.Īline: But I mean sending it in randomly. So, every once and awhile we’ll get - actually, the last episode somebody wrote in saying the three pages we looked at were instrumental in the rewrite and so therefore they were thanking us for helping out down the road.Īline: And have you guys ever thought of sending in three pages of your own to see how it went? I don’t know if anything has actually been produced yet, but they’ve placed well on Black List things. Some of the Three Page Challenges we have looked at have sort of moved up through the ranks. We’re very nice.Īline: Have any of those turned into movies or sold screenplays? I don’t think we are any more or less discriminating about our comments, but I don’t want anyone to think that we beat you up or humiliate you in front of anyone. I mean, we don’t soft pedal anything when we do those in Austin.
Attach your script like normal, but then also check the little box that says I will be at the Austin Film Festival.Īnd so our producer, Megan, will be going through those scripts and picking some great ones for us to talk about live on stage and to invite those screenwriters up on stage with us to discuss what they wrote.Ĭraig: And we’re pretty nice to them. So if you’re going to go to Austin and you would like us to consider your Three Page Challenge, you need to go to /threepage. So for the Three Page Challenge we’re doing at Austin, we have a special little checkbox you can mark if you are submitting a script to the Three Page Challenge that says I will be at Austin and will be in the audience. We’re also going to be doing a live Three Page Challenge. Craig and I will be at the Austin Film Festival at the end of October. John: Before we get into the meat of the episode we have some reminders. John: So Aline Brosh McKenna is the Joan Rivers of our podcast in the sense that she is a frequent visitor, but also special in a way that Joan Rivers was special to us all.Īline: Everyone tells me that all the time. To help us do that we have Aline Brosh McKenna back to join us. Instead, we’re going to be looking at writing books and songs and other things with some advice for collaborating with folks outside of our normal expertise.
Today on the podcast we won’t be talking much about screenwriting at all. John: And this is Episode 318 of Scriptnotes, a podcast about screenwriting and things that are interesting to screenwriters. The original post for this episode can be found here.
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